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about

Spine, Spleen and Shard is derived from a linear black and white graphic: a map guiding its lines, texture, pacing, timbre, and register. This skeleton provided the work with its gestural and dynamic character and irregular form, and the music departed from the graphic when optimal. Drawing from an idiomatic visual source, the work’s shape and content would have a self contained logic, distanced from other habitual conventions that arise from relying on auditory interests alone.

credits

released November 21, 2017
Hajnal Pivnick - Violin
Alexandra Johnson - Cello

Recorded at Soundcat, sound engineer Eric V. Hachikian

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all rights reserved

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about

Meredith Gilna Buffalo, New York

I’m a composer of the ‘classical’ variety with an affinity for the avant garde, based in Buffalo, NY. Many of my pieces utilize graphics or other non musical sources as a framework, treated with different degrees of intuition and literal translation, to create music with an unexpected shape and content. I'm fond of gesture, functional/non functional harmony, extended techniques, and low sounds. ... more

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